SYNTHETIC CUBISM Meaning and
Definition
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Synthetic cubism refers to an artistic movement that emerged in the early 20th century as a progression of the initial cubist style. It was developed by artists Pablo Picasso and Georges Braque, primarily between the years 1912 and 1914. This artistic movement sought to further depart from the traditional representation of reality found in classical art by combining elements from various sources into a unified composition.
In synthetic cubism, artists moved beyond the use of only geometric shapes and fragmented planes, which were prevalent in earlier cubist works. Instead, they incorporated materials and objects from the real world into their compositions, aiming to create a more dynamic and layered visual experience. This involved the use of everyday items such as newspapers, sheet music, cloth, and even objects like bottles and utensils.
The artists would often manipulate and transform these objects, breaking them down into basic forms and reassembling them in a way that challenged viewers' perceptions of reality. These collages of different materials, textures, and perspectives formed the foundation of synthetic cubism.
The term "synthetic" was used to emphasize the synthetic nature of the art, as it combined elements from diverse sources and reconstructed them in a new and innovative manner. Unlike analytical cubism, which focused on the deconstruction of forms, synthetic cubism aimed to construct a new reality by creating a synthesis of various visual elements.
Overall, synthetic cubism played a pivotal role in the development of modern art by pushing the boundaries of traditional representation and unlocking new avenues of artistic expression.
Common Misspellings for SYNTHETIC CUBISM
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Etymology of SYNTHETIC CUBISM
The term "synthetic cubism" originated in the early 20th century as a movement within the art world. It emerged as an evolution of the earlier movement called "analytical cubism".
The word "cubism" itself refers to the artistic style pioneered by Pablo Picasso and Georges Braque in the early 1900s. Cubism sought to depict subjects from multiple viewpoints and angles, breaking them down into geometric shapes and forms.
The term "synthetic" in synthetic cubism refers to the artists' approach of constructing the artwork by combining or synthesizing various elements. Unlike analytical cubism, which focused on breaking down forms into smaller parts, synthetic cubism involved using collage and assemblage techniques to incorporate everyday objects, textures, and materials into the artwork.
Therefore, "synthetic cubism" signifies the synthesis or combination of various elements and materials to create a new artistic whole.
Similar spelling words for SYNTHETIC CUBISM
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