SPINTO Meaning and
Definition
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Spinto is a term originated from Italian opera, specifically referring to a vocal classification or style that combines elements of both lyric and dramatic singing. It is typically applied to operatic voices falling in between the light and powerful categories.
The word "spinto" itself translates to "pushed" or "forced" in English, which reflects the technique employed by singers who utilize the spinto style. Spinto voices possess a rich, resonant timbre and exhibit qualities of both agility and potency. The singer's ability to project their voice forcefully while maintaining control and flexibility is a defining characteristic of the spinto technique.
This vocal classification is commonly associated with roles that require versatility and considerable dramatic expression. Spinto roles often demand a wide vocal range, enabling the singer to embody both lyric and dramatic roles, conveying a range of emotions with finesse and power. This particular voice type is often utilized in works by composers such as Giuseppe Verdi and Giacomo Puccini, with notable roles including Cavaradossi in Puccini's "Tosca" and Radames in Verdi's "Aida."
In summary, "spinto" refers to a vocal classification in opera that blends the qualities of both lyric and dramatic singing. It describes the technique and ability of singers to project a rich, resonant sound with power and control, making them suitable for roles that demand versatility and dramatic expression.
Etymology of SPINTO
The word "spinto" comes from the Italian language. Its etymology can be traced back to the verb "spingere", which means "to push" or "to propel" in English. "Spinto" is the past participle form of the verb, and it literally translates to "pushed" or "propelled" in Italian. The term is particularly used in the context of opera to describe a vocal style that combines elements of both the lyrical and dramatic voice types, giving it a powerful and resonant quality.
