The term "outsider art" refers to art created by individuals who are not formally trained or employed as artists. The spelling of this word may be confusing due to the use of the word "outsider". The IPA phonetic transcription for "outsider" is /ˌaʊtˈsaɪdər/, where the emphasis is on the first syllable "out". Therefore, the spelling of "outsider art" is not "outside art" but "outsider art". This term is used to describe a diverse range of art forms, including folk art, self-taught art, and art brut.
Outsider art refers to artworks created by individuals who are self-taught, untrained, and generally working outside of the traditional art establishment. Also known as "art brut" or "naïve art," it encompasses a wide range of styles and techniques produced by artists who are typically not influenced by mainstream art movements or conventions.
Outsider art is often characterized by its raw and intuitive nature, as it is created by individuals who have little or no formal artistic education. These artists often work in isolation, driven by their own personal motivations, visions, and experiences. Their lack of exposure to traditional artistic techniques and influences allows for a unique display of uninhibited creativity.
The subject matter of outsider art can vary widely, encompassing personal narratives, imaginative worlds, religious or spiritual themes, and social or political observations. It may reflect the artist's inner emotions, personal beliefs, or a deep fascination with specific topics.
Outsider art has gained recognition as a distinctive and valuable art form, challenging the traditional boundaries of artistic expression. It is often celebrated for its authenticity, fresh perspectives, and the emotional and psychological depth it can convey. The term "outsider art" was coined in the 1970s to acknowledge and appreciate the creativity and cultural significance of these artists who exist at the fringes of the mainstream art world. Today, outsider art continues to be studied and exhibited by museums and galleries, contributing to the diversity and richness of the art landscape.
The term "outsider art" was coined by art critic Roger Cardinal in 1972. It emerged as a translation of the French phrase "art brut", which was first used by French artist Jean Dubuffet in the 1940s. Dubuffet described "art brut" as art created by individuals who were outside the established art world, such as psychiatric patients, prisoners, and people with no formal art training. The term "outsider art" essentially carries the same idea – referring to artwork created by individuals who exist outside the boundaries of mainstream art culture.