The phrase "broken time" is often used in music to describe a rhythm that intentionally disrupts the regular time signature. Its IPA phonetic transcription is /ˈbrəʊkən taɪm/. The first syllable "bro-" is pronounced with a schwa sound followed by the "r" sound. The second syllable "ken" has a short "e" sound and the final syllable "-time" ends with a long "i" sound. The spelling of "broken time" accurately reflects its pronunciation and helps to convey its meaning in musical context.
Broken time refers to a musical technique or rhythm that deviates from the conventional and consistent patterns of timekeeping. Typically found in jazz and other forms of contemporary music, broken time disrupts the regular pulse or beat by intentionally introducing irregular accents, syncopation, or unexpected pauses.
In broken time, the rhythmic structure is intentionally "broken" or disrupted, giving the music a distinctive and dynamic quality. This technique aims to create a sense of tension, unpredictability, and rhythmic complexity within a composition. It lends itself to improvisation and allows musicians to express themselves more freely, exploring innovative rhythmic ideas.
The use of broken time can be traced back to African music traditions and their influence on jazz. It has become a defining characteristic of various jazz subgenres, such as bebop and free jazz. Additionally, broken time can also be found in other genres including funk, fusion, and even certain forms of rock music.
While broken time can be experienced as challenging or disorienting for some listeners at first, it is widely appreciated and celebrated for its synchronization of rhythmic complexity and artistic expression. This technique enables musicians to push the boundaries of traditional timekeeping, creating a compelling and fascinating musical experience.