How Do You Spell WILLIAM ROWLEY?

Pronunciation: [wˈɪli͡əm ɹˈə͡ʊlɪ] (IPA)

William Rowley (wɪljəm ˈrəʊli) is a name that follows the standard English spelling system. The name "William" is spelled as pronounced, with the silent letter "l" at the end. The surname "Rowley" is spelled with the letter "o" before the letter "w", which is common in English surnames. The phonetic transcription of the name is 'wɪljəm ˈrəʊli'. The stress is on the second syllable of both "William" and "Rowley". Overall, the spelling and pronunciation of this name adhere to the conventions of standard English.

WILLIAM ROWLEY Meaning and Definition

  1. William Rowley (c. 1585-1626) was an English dramatist and actor who played a significant role in the Jacobean theatrical world. Although not as renowned as his contemporaries, Rowley made considerable contributions to the English Renaissance theatre with his plays and collaborations.

    Rowley is best known for his collaboration with other playwrights such as Thomas Middleton and John Fletcher. His works span various genres, including tragedies, comedies, and tragicomedies, exhibiting a versatility and skill in adapting to different dramatic styles prevalent during the early 17th century.

    Rowley's craftsmanship is notable for its poetic language, intricate plotting, and vivid characterization. His plays often explore complex themes of morality, social hierarchies, and the human condition, reflecting the socio-cultural milieu of his time. Noteworthy among his works are "The Changeling" (1622), co-written with Middleton, which delves into themes of lust, jealousy, and manipulation, and "A Shoemaker a Gentleman" (circa 1608), a darkly humorous comedy that satirizes social climbing.

    While information about Rowley's personal life remains limited, his contributions to the Elizabethan and Jacobean stage continue to be appreciated. He played a vital role in the development of the English drama, leaving behind a body of work that showcases his talent and creativity. Rowley's plays are still studied and occasionally performed today, reminding us of his impact on the rich tapestry of English Renaissance theatre.

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