Pronunciation: [sˈɪɡɹaf] (IPA) 
The word "SIGGRAPH" is a blend of two acronyms: "SIG" standing for Special Interest Group and "GRAPH" for Graphics. Therefore, it is pronounced as /sɪɡˈɡræf/, with the stress on the first syllable and the sound of "i" like in "sit". The "grap" part is pronounced with the sound of "æ" like in "cat" and the final letter "h" is silent. This word is commonly used in the context of computer graphics and computer science industries.
SIGGRAPH stands for Special Interest Group on Computer Graphics and Interactive Techniques. It is an annual conference and exhibition that serves as a leading platform for showcasing advancements in computer graphics, interactive techniques, and related technologies. The event attracts researchers, technicians, artists, developers, and professionals from various fields, such as computer graphics, animation, virtual reality, gaming, and more.
SIGGRAPH was first organized in 1974 by the Association for Computing Machinery (ACM) and has since become a highly influential event in the computer graphics industry. The conference consists of presentations, technical papers, courses, panels, posters, and exhibitions, offering a comprehensive overview of the latest trends, innovations, and research in the field.
In addition to the conference, SIGGRAPH also facilitates networking opportunities, workshops, and special programs to promote collaboration and knowledge sharing among attendees. The event is renowned for its emphasis on interdisciplinary approaches, promoting the convergence of technology, art, and science.
SIGGRAPH showcases cutting-edge technologies and applications, including 3D modeling and animation, virtual reality systems, computer vision, haptic devices, interactive displays, and more. It serves as a platform for professionals to exchange ideas, demonstrate their latest projects, and collaborate on groundbreaking initiatives.
SIGGRAPH has played a significant role in shaping the computer graphics industry, fostering technological advancements, and pushing the boundaries of what is possible in the world of computer-generated graphics and interactive techniques.
