Pronunciation: [ʃˈuːɡe͡ɪzɪŋ] (IPA) 
Shoegazing is a term used to describe a subgenre of alternative rock music that emerged in the late 1980s. The word is spelled with a "g" and not a "z" because it derives from the phrase "shoe-gazing," which refers to the habit of musicians in this genre staring at their guitar pedals during performances. Phonetically, the word is spelled /ˈʃuːˌɡeɪzɪŋ/, which breaks down to "shoe" /ʃuː/ + "gaze" /ɡeɪz/ + "-ing" /ɪŋ/.
Shoegazing is a musical genre that emerged in the late 1980s, primarily in the UK, characterized by its ethereal and dreamy soundscapes. The term "shoegazing" itself refers to the tendency of the musicians to stare down at their guitar pedals or effects units as they play, seemingly absorbed in their own world.
Musically, shoegazing is typically characterized by its dense layers of distorted and heavily processed guitar effects, complemented by lush, atmospheric vocals and intricate melodies. The use of extensive reverb, delay, and other modulation effects contributes to its distinctive and immersive sound. This genre often incorporates elements of post-punk, dream pop, and psychedelic rock, although it maintains an ethereal and introspective quality.
Shoegazing bands are known for their emphasis on texture and atmosphere over conventional song structures, creating mesmerizing and hypnotic compositions. Examples of prominent shoegazing bands include My Bloody Valentine, Slowdive, Ride, Lush, and Chapterhouse, among others. While the genre experienced commercial success in the late 1980s and early 1990s, its influence has persisted, with contemporary bands continuing to draw inspiration from its distinct sonic traits and emotive qualities.
Overall, shoegazing is a genre of music that encapsulates a dreamlike and introspective experience, characterized by its enchanting layers of guitar effects and atmospheric aesthetics.
The term "shoegazing" originated in the British alternative music scene of the late 1980s and early 1990s. It was used to describe a subgenre of rock music characterized by its ethereal and heavily distorted sound, as well as the onstage behavior of the musicians who often stood still, gazing at their effects pedals or the ground, seemingly fixated on their shoes.
The actual etymology of the word is a matter of debate, as there are different theories regarding its origin. One popular theory suggests that the term was coined by music journalist Andy Collins in a review of a 1988 concert by the band Moose. In his review, Collins stated that the band's performance consisted of "the usual blissful guitar sounds overlaid with vocal murmurings, reminiscent of early My Bloody Valentine.
