Pronunciation: [ɹˈʌsmə] (IPA) 
The word "Rhusma" is a challenging word to spell correctly. It is pronounced as /ˈruːzmə/. The first syllable 'Rhu' is pronounced with a long 'oo' sound and the 'h' is silent. The second syllable 'sma' is pronounced with a short 'a' sound followed by a soft 'm'. Interestingly, there is no exact definition for the word "Rhusma." Despite its rare and obscure use, being able to spell this word is a testament to one's literacy and vocabulary.
Rhusma is a term that does not have a widely recognized dictionary definition as it is a relatively uncommon word. However, the term "Rhusma" does have usage in a specific context which can be described. In this context, "Rhusma" refers to a type of musical ornament or melodic embellishment commonly found in Indian classical music.
Derived from the Sanskrit language, Rhusma is believed to have originated from the word "rikrama," which means a graceful turn or a melodic flourish. In Indian classical music, Rhusma is characterized by its quick and ornamental nature, where it is used to enhance and embellish a melodic phrase. It involves additional notes, sliding movements, and intricate patterns played on the selected scale or Raaga.
Rhusma is typically executed by skilled musicians, who possess a deep understanding of the melodic structure and rhythmic intricacies of Indian classical music. It adds aesthetic beauty and intricacy to a melodic line, making it more captivating for the listener. Rhusma is often utilized in improvisational sections of a performance, allowing the musician to showcase their technical prowess, creativity, and virtuosity.
Overall, while "Rhusma" may not have an extensively documented definition in general dictionaries, in the context of Indian classical music, it refers to a melodic ornamentation technique that adds beauty and embellishment to a melodic phrase.
