The proper spelling of the name "Morris Weitz" is pronounced /ˈmɔːrɪs ˈwɛts/. In this phonetic transcription, the first syllable of "Morris" is pronounced with an open o (as in "more"), followed by a short i sound. The second syllable of "Weitz" is pronounced with a short e (as in "went") followed by a voiced z sound. The use of IPA phonetic transcription helps to accurately represent the pronunciation of a word or name, particularly for those who may not be familiar with the English language's spelling and pronunciation rules.
There is no widely recognized or established dictionary definition for "Morris Weitz" as it refers to a specific person's name. However, based on available information, Morris Weitz was an American philosopher and scholar who was active in the mid-20th century. Born on August 6, 1916, he lived until January 28, 1981.
Weitz is primarily known for his influential essay, "The Role of Theory in Aesthetics," published in 1956. In this essay, he argues against the idea of establishing a set of criteria for defining what constitutes art and asserts that the definition of art is fundamentally subjective and changes over time. Weitz promotes the idea that individuals' experiences and perspectives influence their understanding and appreciation of art. This notion challenges the traditional belief that art can be defined by a universal set of rules or aesthetics.
Weitz's work on aesthetics has had a significant impact on the field of philosophy of art, particularly in the realm of art criticism and the interpretation of artworks. His ideas have led to ongoing debates and discussions about the nature of art and the role of theory in understanding and evaluating artistic creations.
While "Morris Weitz" may not be found in a standard dictionary, his contributions to the philosophical discourse on aesthetics have made him a notable figure in the field.