Minimal music is a modern musical style that typically features simple patterns repeated and slowly evolved over an extended period. In phonetic transcription, "minimal music" is spelled /ˈmɪnɪməl ˈmjuːzɪk/. The stressed syllable in each word is "mi" and "mu," respectively. The "i" is pronounced as a short vowel "ɪ," and the "u" is pronounced as a long vowel "uː." The ending "c" is pronounced as "k." Understanding the IPA phonetic transcription can help learners accurately pronounce the term "minimal music."
Minimal music refers to a unique genre within Western classical music that emerged in the late 20th century. It is characterized by its highly simplified structures, repetitive patterns, and minimalist aesthetics. Minimal music often focuses on the repetition and gradual transformation of musical motifs or simple rhythmic and melodic patterns, creating a hypnotic and meditative listening experience.
One of the key principles of minimal music is the deliberate reduction of musical elements, resulting in a stripped-down texture. This reductionism extends to dynamics, instrumentation, and harmony, emphasizing a sense of clarity and transparency. Minimal composers commonly employ steady pulses or rhythmic patterns as fundamental building blocks, which undergo subtle variations over extended periods of time.
Minimal music often challenges traditional notions of development, progression, and complexity in favor of a more static and timeless experience. The repetition of musical phrases and patterns allows the listener to focus on subtleties, explore the interaction of small musical changes, and appreciate the transformative power of simple musical means.
Prominent composers associated with minimal music include Steve Reich, Philip Glass, and Terry Riley, who pioneered this influential musical movement. Minimal music has had a significant impact not only within the classical music scene but has also influenced various other genres such as electronic music, rock, and pop, inspiring artists like Brian Eno and David Bowie.
Overall, minimal music embodies a deliberate, refined, and understated approach towards composition, favoring simplicity, repetition, and gradually evolving patterns to create a unique and immersive sonic experience.
The term "minimal music" was coined in the late 1960s by music critic Michael Nyman, who used it to describe a style of music characterized by repetitive structures, limited harmonic changes, and gradual transformations. The word "minimal" derives from the Latin word "minimus", meaning "smallest" or "least". This term was chosen to reflect the simplicity and reductionist aesthetics found in this genre of music. Additionally, "minimal" also alludes to the emphasis on economy and reduction of materials or musical elements in minimalist art movements that were gaining popularity around the same time.