Pronunciation: [mˈanə͡ʊlə dˈɑːɡɪz] (IPA) 
Manohla Dargis is the name of an American film critic for The New York Times. The spelling of her name may seem unusual to some, but it is pronounced "meɪˈnoʊlə ˈdɑːrɡɪs", according to the IPA phonetic transcription. The first name is pronounced "mey" as in "mayor" followed by "noh" as in "know" and "la" as in "lah". The last name is pronounced "dar" as in "dark" followed by "gis" which rhymes with "bliss".
Manohla Dargis is a prominent American film critic and writer, primarily known for her work at The New York Times. Born on October 5, 1961, in Los Angeles, Dargis has made significant contributions to film criticism and analysis throughout her career.
Dargis' expertise lies in her ability to dissect and analyze various aspects of the cinematic world, including filmmaking techniques, narrative structures, and socio-cultural contexts. With her insightful and often thought-provoking reviews, she has become a reliable voice in the world of film criticism. Dargis' articles and essays not only provide evaluative opinions but also highlight the artistic, cultural, and social implications of films being reviewed. She has a distinct writing style which combines intellectual rigor with an engaging approach, making her work accessible to readers from diverse backgrounds.
Throughout her tenure at The New York Times, which began in 2004, Dargis has established herself as a respected authority in the field. Her reviews contribute to shaping the public discourse on films, offering valuable perspectives and analysis on the latest releases. Additionally, Dargis has written extensively on various film-related topics, including the intersection of film with politics, gender, and race.
With her extensive knowledge and critical acumen, Manohla Dargis has left an indelible mark on the film criticism landscape, enlightening and informing audiences worldwide about the power and significance of cinema.
