"Jerry Wexler" is spelled with the phonemes /dʒɛri/ and /wɛkslər/. The first syllable is pronounced with the voiced palato-alveolar affricate /dʒ/ followed by the open-mid front unrounded vowel /ɛ/ and the consonant cluster /rɪ/. The second syllable is pronounced with the voiceless labiodental fricative /w/ followed by the open-mid front unrounded vowel /ɛ/ and the voiceless alveolar lateral approximant /l/ followed by the schwa sound /ər/. Overall, the spelling corresponds well to the pronunciation of the name.
Jerry Wexler was an American music journalist, record producer, and label executive who played a pivotal role in shaping the landscape of popular music throughout the 20th century. Born on January 10, 1917, in New York City, Wexler is best known for his influential work at Atlantic Records, where he helped define and promote the genres of rhythm and blues (R&B), soul, and rock and roll.
As a music journalist in the 1940s, Wexler wrote for Billboard magazine, gaining an in-depth knowledge of the industry and its emerging artists. In the late 1950s, he transitioned into a career as a record producer, signing iconic artists such as Ray Charles, Aretha Franklin, and Wilson Pickett. Wexler's distinctive production style, characterized by combining elements of gospel, blues, and jazz, earned him a reputation for bringing out the best in his artists and capturing the essence of their performances.
Wexler also played a significant role in the civil rights movement by promoting African-American artists during a time of racial segregation and discrimination. He coined the term "rhythm and blues" as a less offensive alternative to "race music," a term commonly used at the time. Furthermore, Wexler produced landmark albums like Aretha Franklin's "I Never Loved a Man the Way I Love You" and "Lady Soul," which showcased her incredible vocal abilities and propelled her to stardom.
Jerry Wexler's extensive contributions to the music industry earned him a place among the most influential figures of his time. He continued to produce and work in the music business until his death on August 15, 2008, leaving behind a remarkable legacy that revolutionized the sound and culture of popular music.