INTERNATIONAL STYLE Meaning and
Definition
-
The term "international style" refers to a modernist architectural style that emerged in the early 20th century and became prominent during the 1920s and 1930s. It is characterized by principles of functionality, simplicity, and the elimination of ornamental elements, emphasizing clean lines and geometric shapes. The international style is typically associated with the use of materials like glass, steel, and reinforced concrete, allowing for open and flexible spaces.
International style architecture aims to create buildings that embrace a universal and timeless aesthetic, transcending regional and cultural influences. It emphasizes the idea of "form follows function," prioritizing the practical use and purpose of a structure over decorative embellishments. This philosophy was heavily influenced by the Bauhaus movement and its emphasis on functional design.
Key features of international style architecture include asymmetrical compositions, cubic or rectangular shapes, flat roofs, and large, uninterrupted windows that often extend from floor to ceiling. The style also emphasizes open floor plans and the integration of indoor and outdoor spaces.
The international style had a significant impact on urban design and shaped the skylines of major cities around the world, particularly through the construction of high-rise buildings. The style's sleek and minimalist approach continues to influence contemporary architecture, with many modern buildings exhibiting its characteristic traits.
Overall, the international style represents a significant shift towards a more rational and functional approach to architecture, breaking away from the traditional ornate styles prevalent in previous eras.
Etymology of INTERNATIONAL STYLE
The term "international style" originated in the field of architecture in the early 20th century. It was first used in the 1932 exhibition catalog for the Museum of Modern Art (MoMA) in New York City, titled "The International Style: Architecture Since 1922". The exhibition showcased modern architectural designs from various countries and introduced the architectural movement known as the International Style.
The word "international" refers to the fact that this architectural style transcended national boundaries and became a global phenomenon. It emphasized a universal approach to design, focusing on simplicity, functionality, and the use of industrial materials such as steel, glass, and concrete. The architects associated with this movement, including Le Corbusier, Ludwig Mies van der Rohe, and Walter Gropius, aimed to create buildings that reflected the modern era and rejected historical ornamentation.
