"Homaxonic" is a rare word that refers to a type of musical texture characterized by the use of one repeated note over a melody. It is pronounced /hoʊˈmæksənɪk/ with stress on the second syllable. The spelling of "homaxonic" is derived from the Greek word "homos" meaning "same" and the word "axis" meaning "note." In music theory, homaxonic texture is often used in minimalist or ambient music, where the repetition of a note or chord creates a meditative and hypnotic effect.
Homaxonic, derived from the Greek word "homos" meaning same, is an adjective used to describe a musical texture or composition where all voices or instruments participate in the melody simultaneously, generating a unison or octave effect. In other words, it refers to a musical style or technique in which multiple parts perform the same melodic line or phrase at the same time. Homaxonic compositions typically lack harmonic variations or counterpoint, as all the parts move in strict parallel, producing a homogenous and unified sound.
This form of texture was commonly employed during the Renaissance and Baroque periods, often found in religious vocal music such as Gregorian chants and chorales. The purpose behind utilizing homaxonic writing was to emphasize the unity and collective strength of a group, facilitating a sense of religious devotion or grandeur in the music.
Homaxonic texture can also be found in modern musical genres, especially in choral or ensemble music that aims to create a powerful and unified sound. However, it is important to note that this form of texture is often used selectively or in specific sections, as it lacks the complexity and diversity of other musical textures.
Homaxial, having all the axes alike, noting a sphere.
A practical medical dictionary. By Stedman, Thomas Lathrop. Published 1920.