Pronunciation: [hˈa͡ɪ kˈamps] (IPA) 
The spelling of "high camps" is fairly straightforward. The first word, "high," is spelled with the letter "h" followed by the letters "i" and "g" pronounced as /haɪ/. The second word, "camps," begins with a hard "c" sound represented by the letter "c," followed by the letters "a" and "m" pronounced as /kæmps/. The word as a whole is pronounced as /haɪ kæmps/ and refers to remote mountain camps established by mountaineers.
High camps refer to exaggerated and flamboyant theatrical performances or artistic events characterized by over-the-top themes, exaggerated costumes, extravagant set designs, and larger-than-life characters. This term is often used in the context of genres such as comedy, theater, dance, literature, and film. High camps are known for their deliberate and self-conscious kitsch and are intended to be both entertaining and satirical.
In high camps, the performers often display excessive and flamboyant mannerisms, gestures, and expressions, aiming to create a sense of irony and amusement. These performances often parody or exaggerate traditional gender roles and societal norms, highlighting and critiquing their absurdities.
The term "high camps" also extends to artistic events and experiences that exhibit a similar exaggerated and theatrical aesthetic. These can include art installations, parties, or functions that embrace excessive aesthetic choices, unconventional themes, and elements of performative art.
By defying conventions and embracing extravagance, high camps challenge traditional artistic norms and invite audiences to question societal expectations and norms. They often create a sense of liberation and empower both performers and spectators to freely express themselves in a whimsical and non-conformist manner.
Overall, high camps provide a platform for artistic expression that celebrates the theatrical, the absurd, and the unconventional, offering a unique and stylized form of entertainment and critique.
The term "high camp" originates from the world of theater and performance. Its etymology can be traced back to the 19th century, specifically to the world of melodrama and vaudeville.
The word "camp" itself originally derived from the French term "se camper", which means "to posture defiantly". It was adopted into English to describe the exaggerated and artificial behavior often seen in the world of theater. Camp humor and performance incorporate elements of irony, parody, exaggeration, and the deliberately artificial.
The addition of "high" to the term "camp" signifies an amplification or intensification of these theatrical qualities. "High camp" is often used to describe performances or artistic works that are ostentatious, exaggerated, extravagant, or over-the-top.
