George Jean Nathan (1882-1958) was an American drama critic, essayist, and editor, best known for his influential role in American theater during the early 20th century. Born in Indiana, Nathan began his career in journalism as a reporter before redirecting his focus to theater criticism.
Nathan was renowned for his wit, sharp observations, and biting commentary, which made him one of the most highly regarded theater critics of his time. He, along with his long-time collaborator H.L. Mencken, co-edited and co-wrote for The Smart Set and The American Mercury, two prominent literary magazines that showcased their progressive cultural and literary ideals. Nathan was a proponent of realism in theater, advocating for a greater emphasis on truth and authenticity in both the writing and performances. He often championed the works of European playwrights, notably Henrik Ibsen and George Bernard Shaw, as well as the innovative techniques of American playwrights such as Eugene O'Neill.
His contributions to American theater criticism extended beyond his writings. Nathan founded the Theatre Guild in 1918, an organization dedicated to producing and promoting noteworthy plays. He also authored several books, including "The Popular Theatre" and "The Critic and the Drama," which explored the intricacies of theatrical critique and its impact on the art form.
George Jean Nathan's legacy lies in his transformative influence on American theater criticism, shaping its standards, tastes, and cultural impact. His commitment to intellectual rigor and his passion for genuine artistic expression continue to resonate within the field of theater criticism to this day.
