The word "Falsettos" is spelled with three syllables: fal-set-tos. The first syllable starts with the "f" sound, like in the word "fun", followed by the "ae" diphthong, like in the word "bat". The second syllable starts with the "s" sound and is followed by the "e" sound, like in the word "pet". The third syllable starts with the "t" sound and is followed by the "oh" diphthong, like in the word "go". The stress is on the second syllable: /fælˈsɛt.tos/.
Falsettos refers to a musical production that first premiered on Broadway in 1992. The term "falsettos" is derived from the vocal technique known as falsetto, which involves a male singer using a higher register, typically above their normal range.
More specifically, "Falsettos" is the title of a musical originally composed of two separate acts, "March of the Falsettos" and "Falsettoland," which were later combined into a single show. The story revolves around a non-traditional family and explores themes of love, relationships, sexuality, and the challenges faced by a group of Jewish characters living in New York City during the 1980s. The musical, with book by William Finn and James Lapine, and music and lyrics by William Finn, is known for its blend of comedy and poignant moments, as well as its dynamic and emotionally charged songs.
The plot of "Falsettos" follows the lives of Marvin, his ex-wife Trina, their young son Jason, Marvin's male lover Whizzer, and a psychiatrist named Mendel. The show showcases their complex relationships, struggles with identity and acceptance, and the impact of the AIDS epidemic on their lives. "Falsettos" has been praised for its witty dialogue, catchy tunes, and its ability to address serious topics with both humor and pathos. The musical has had several successful revivals and has garnered critical acclaim for its compelling storytelling and memorable characters.
The word "falsettos" is derived from the Italian term "falsetto", which means "false voice". In singing, falsetto refers to the vocal technique that allows males to sing in a higher register than their usual speaking voice. The term "falsettos" is commonly associated with musical genres like opera and musical theater, wherein men employ this technique to produce higher-pitched vocal tones. Over time, the word has developed its own plural form, "falsettos", to refer to individuals who are adept in singing falsetto or to describe a musical's characters or vocal arrangement featuring falsetto singing.