The term "end man" is commonly used in the minstrel shows of the 19th century. It refers to the performer who stands at the end of the line of chorus and delivers the punchline of a joke. The spelling of "end man" is pretty straightforward, with no unusual pronunciations. It is pronounced /ɛnd mæn/, where /ɛ/ represents the vowel "e" as in "pen", /d/ is the voiced dental plosive sound, /m/ is the bilabial nasal consonant sound, and /n/ is the alveolar nasal consonant sound.
End man is a term commonly used in the context of minstrel shows, which were popular entertainment forms in the 19th and early 20th centuries. In these shows, the end man referred to the performer situated at either end of a line of minstrels, typically a duo or trio. The end men played crucial roles in the performance, often engaging in comedic banter and serving as the primary source of jokes and one-liners.
The end man, sometimes referred to as the "corner man," would assume the role of the straight man or the foil to the middle man. While the middle man would typically deliver the punchline or perform the main song or routine, the end man would counter with witty remarks or humorous interjections, providing comic relief throughout the show.
The end man's role was critical in maintaining the flow and comedic timing of the minstrel performance. Their jokes often contained racial stereotypes and derogatory caricatures, reflecting the racial attitudes prevalent during that period. Due to the offensive nature of these portrayals, minstrel shows and the associated term "end man" have long since fallen out of favor.
It is important to note that the term "end man" is specific to the historical context of minstrel shows and should not be used or applied outside of that context, as it carries significant racial connotations and is considered offensive today.
The term "end man" originated in the context of minstrel shows, which were popular in the United States during the 19th and early 20th centuries. These shows typically featured a group of performers, known as minstrels, who would put on comedic and musical performances, often employing racial stereotypes.
In a minstrel show, the "end man" referred to a performer who was positioned on one end of the line of performers, typically at one of the extreme sides of the stage. The end man was responsible for delivering the final punchline or ending to a comedic skit or routine. They often engaged in banter with the interlocutor, who was positioned at the opposite end of the line, and together, they formed a comedic duo.
The word "end man" itself is descriptive of the performer's position in the line, denoting that they were situated at one of the show's "ends".