Donal Henahan was an American music critic and journalist known for his insightful writing and expertise in the field of classical music. Born on May 28, 1921, in Cle Elum, Washington, Henahan pursued a successful career as a music critic, particularly focusing on opera and classical music. His astute observations and articulate commentary allowed him to become one of the most respected music writers of the 20th century.
Henahan held various positions throughout his career, including serving as the chief music critic for The New York Times from 1967 to 1980. During his tenure at The New York Times, he gained recognition for his eloquent prose, deep musical knowledge, and critical acumen. Henahan's ability to dissect and analyze performances, vocal techniques, and musical interpretations made him a trusted voice within the music community.
Known for his fair and balanced approach, Henahan provided insightful commentary and thought-provoking reviews that considered both the technical and artistic aspects of classical music performances. His writing was marked by a meticulous attention to detail, a thorough knowledge of music history, and an engaging writing style that appealed to both connoisseurs and casual readers.
Donal Henahan's contributions to classical music criticism were highly influential, shaping the way music journalism was approached in his time. His commitment to providing fair and objective evaluations, coupled with his deep love and passion for music, earned him the respect and admiration of his colleagues and readers. Henahan's legacy as a prominent music critic continues to inspire and inform the field of classical music criticism to this day.
