Pronunciation: [dˈa͡ɪ͡əlɒɡz ɒvðə kˈɑːmɪlˌa͡ɪts] (IPA) 
The title "Dialogues of the Carmelites" is spelled with three syllables in "dia-logues." The first syllable is pronounced "dye" like in the word "dyeing," while the second syllable is pronounced "laugh" with a "g" sound like in the word "guffaw." The final syllable is pronounced "z" like in the word "snooze." The IPA phonetic transcription of the word is /daɪəlɒɡz əv ðə ˈkɑːrməlaɪts/.
"Dialogues of the Carmelites" refers to a renowned French opera composed by Francis Poulenc. This tragic masterpiece, with a libretto by Georges Bernanos, explores the themes of faith, martyrdom, and sacrifice through the lens of the Carmelite nuns during the French Revolution. Set in 1789, the opera transports audiences to the tumultuous period of the Reign of Terror, illustrating the struggle of the nuns as they face threats to their religious beliefs and lifestyles.
The title "Dialogues of the Carmelites" alludes to the prominent role of dialogues within the narrative structure of the opera. It features a series of poignant conversations and exchanges between the nuns, accurately capturing their individual struggles, doubts, and ultimate surrender to their religious convictions. These dialogues serve as a powerful means of articulating the internal conflicts faced by the characters, and highlight their collective journey towards martyrdom.
Poulenc's musical composition is characterized by its intricate harmonies, evocative melodies, and expressive choral arrangements. Through expertly crafted musical dialogues, the composer effectively conveys the emotional depth of the characters and the raw intensity of their spiritual battles.
"Dialogues of the Carmelites" is hailed as a seminal work in 20th-century opera, and is treasured for its profound message about devotion, morality, and the triumph of faith in the face of persecution. With its richly layered plot, compelling characters, and emotionally charged music, this opera continues to captivate audiences around the world, reminding them of the timeless struggle between the secular world and religious devotion.
