BASSO RELIEVO Meaning and
Definition
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Basso relievo, also spelled bas-relief, is a term commonly used in the field of visual arts to describe a sculptural technique that involves creating a three-dimensional image or design that is only slightly raised from the background. The term "basso relievo" is derived from the Italian language, where "basso" means "low" or "shallow," and "relievo" refers to the concept of a raised or projecting surface.
In a bas-relief sculpture, the subject matter is typically carved or molded onto a flat surface, such as a stone slab or a wall. The images and forms are presented in a way that they seem to emerge only slightly from the background, producing a sense of depth and perspective. This technique allows for a more subtle and delicate depiction of the subject matter compared to the higher relief forms.
Basso relievo has been used throughout history in various artistic contexts, including ancient civilizations such as Egypt and Mesopotamia, as well as in Greek and Roman art. It has also been widely employed in medieval and Renaissance art, particularly in the ornamentation of architectural elements such as friezes, columns, and tympanums.
Overall, bas-relief is a sculptural technique that adds a subtle dimension to flat surfaces, creating a harmonious balance between the physicality of sculpture and the visual impact of two-dimensional art.
Common Misspellings for BASSO RELIEVO
- baseo rilievo
- basso rilievi
- vasso relievo
- nasso relievo
- hasso relievo
- gasso relievo
- bzsso relievo
- bssso relievo
- bwsso relievo
- bqsso relievo
- baaso relievo
- bazso relievo
- baxso relievo
- badso relievo
- baeso relievo
- bawso relievo
- basao relievo
- baszo relievo
- basxo relievo
- basdo relievo
Etymology of BASSO RELIEVO
The word "basso relievo" derives from Italian, specifically from the combination of "basso" meaning "low" or "shallow", and "rilievo" meaning "relief" or "raised work".
The term "basso relievo" is often used in the context of sculpture and refers to a technique where the sculpted figures are only slightly raised from the background. It is a style of relief sculpture that creates a subtle three-dimensional effect with minimal depth. The term was first used in the early 18th century and has since been adopted in various languages to describe this specific type of artistic relief.
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